This summer i got myself involved as an assistant in somebody else's photo project. HH Capor is a friend. He lives in Vienna and is older than i am. Hermann is a portrait photographer and often in his works shifting borders of tolerance and questioning norms and tastes, including his own and mine, definitely.
He usually likes to capture young nudes.
This time his project is a little different so i can be in it. In short: Hermann is visiting within a period of 2 years about 30 towns he has never been before in as many trips and all over the world. He checks into a hotel and does not leave the premises for as long as he is there. He invites an assistant to go for a walk into the city and make pictures for him instead. When he returns to Vienna the proof of his visits are the images made by someone else. He says that it is about the reflection on the behavior of tourists and how they capture images and remember... or do not. I am willing to follow the thoughts.
So, I am his 12th pair of eyes and the town is
Lillehammer (18 August 2010). The town is new for me too. It is about 10 hours to get here by train from Bergen. I read books about Rome up and down. While i walk out of the train station i can not prevent myself cursing loud. I instantly do not like it here. We meet in the hotel room.
I get his camera and a film with 8 b/w exposures. Why Lillehammer i ask (shout?). He had an uncle who went missing here in 1943. If this is a town get it off the map! The grey rainy weather does not help. Will i be touching the clouds today?
From the room we can see a ski jump station. Hermann's horizon. So i decide to walk up there to have a birds view of my hunting ground. First to the tourist information center for a map. She says it is not far, maybe half an hour walk and i am lucky a (the?) German team is practicing. Not on snow but artificial grass. I hesitate so much making that first photo. I am surrounded by other tourists who endlessly shoot all that moves and flies by.
The rehearsal of jumping is over before i... clack 1. In my mind i try to recall other cowardly events.
I descend and decide to follow a little stream through the forest. There is no path but it goes, according to the map, eventually along the hotel so i can not get lost. The stream is a postcard! I HAVE to make a shot of these waters for Hermann!
Clack 2 Das Nordische Wald! Is that Hermann's uncle in a blue sports uniform on the bridge?
And clack again 3. I see some questionnaire list in Norwegian on a tree next to the bridge.
clack 4 is made! I am in a euphoric mood. Shall i go to Hermann and say: It is so beautiful out there and demand more film ?! Oh, I am not doing very well, I need to be an artist, oh, my inspiration is leaving me, creative guidance is needed, sunshine is not enough anymore, where is confirmation of my brilliance, HELP.... help...
So I go to the library and ask what there is to know about the first
Lillehammer affair. Not much. But they (2 ladies) take the time to search. So kind. While I am waiting a Somalian woman who is with her pretty teenage daughter starts to talk to me. Obviously she can (also) see i am in despair. She hears my story and replies: Why don't you take a picture of me?
I clack 5. She also asks me out for a coffee. Hermann, do you believe this? I turn the offer down knowing i hurt him. She wishes me a nice stay in her town. I am no good, The librarian returns with visual documentation and address of the exact location where the first affair happened. Could you please copy all!
The town is small but the walk is surprisingly long. Or is it me telling myself that i missed the chance just right there to make THE shot for CAPOR. The extensive directions i have received make it easy to find it. I try to imagine what silliness happened there that evening but fail.
A passerby makes clack 6. I act in the picture. I think i did the job. She was pregnant back then.
Back in the centre i clack 7. Only now i know why. Before i return to the hotel i take coffee in a park and watch some local ladies rehearsing their dances. I hesitate taking the camera but have already decided what to do with the last exposure. The window of the room is open and i shout into the town: Hermann!!
Clack 8.
Back in the room i describe him the day. I have trouble describing clack 5. There is a smile. In return he tells me what he is going to do with my images. There is unbelief and i ask him for copies.
I do recall more than i type above but i select, copy, shop and paste, polish and turn like always. Time will do the deleting of the rest. There is no way for me of capturing that passing day, that past. I mold the memory conveniently and that is ... so fortunately good. I could not bare the weight of it otherwise. Thank you Hermann.